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Jaishankar Prasad : ウィキペディア英語版
Jaishankar Prasad

Jaishankar Prasad (30 January 189015 November 1937), one of the most famous figures in modern Hindi literature as well as Hindi theatre In her glowing tribute to Jai Shankar Prasad, the poet- critic Mahadevi Verma says:
“Whenever I remember our great poet, Prasad a particular image comes to my mind. A fir tree stands on the slope of the Himalaya, straight and tall as the proud mountain peaks themselves. Its lofty head braves the assaults of the snow, the rain, and the blazing heat of the sun. Violent storms shake its spreading branches, while a thin stream of water plays hide-and-seek amongst its root. Even under the most heavy snowfall, the most fierce heat, and the torrential rain, the fir tree holds its head high. Even in the midst of the worst thunderstorm and blizzards, it remains steady and unflinching.”
This compliment from a younger contemporary of Prasad summarizes in a condensed from the literary genius of one of the leading lights of chhayavad movement in Hindi literature. It recognizes Prasad’s place among his peers as well as his relevance to modernity. As author of a classic epic of the human psyche, his magnum opus Kamayani, Prasad had acquired early eminence. But later his multifaceted personality burgeoned in his contribution to diverse fields of literature in spite of countless storms of personal tragedies, and national social and political upheavals.
Since brought up in the affluent family of a tobacco merchant, Prasad was a man of personal charm and of romantic disposition. By temperament a reformer and humanitarian, through his devotion to literature he became a lyric poet, a dramatist, a story writer, and essayist. Thus Prasad emerged as a literary genius. It would be no exaggeration if we rank him with such literary stalwarts as Kalidas, Tulsidas, Shakespeare, Dante, and Goethe in view of his vision and aesthetic consciousness.
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== Biography.(Aatmkatha)आत्मकथा ==

The eminent Hindi Writer-poet Shri Jai Shankar Prasad was born on 30 January 1890, in an aristocratic madhesia gupta family of Varanasi, Uttar Pradesh. Prasad ji was youngest son of his father Babu Devi Prasad who was a tobacco manufacturer. His family was an elite unites in Varanasi, popular as “Sunghani Sahu”.
Prasad ji received his early education at the private elementary school of Mohini Lal 'Rasmayasidh', himself an amateur poet. At the age of 10, Prasad ji was admitted to Queens College, Varanasi for formal education. The following year, he accompanied his parents on pilgrimage to visit such known religion places as Ganga Sagar, Bhuvaneshvar, Jagannath Puri and Onkareshvar. Prasad ji spent his adolescence in the cultivation of his physical as well as mental faculties - wrestling, exercising, and eating wholesome food on the one hand, and studying Sanskrit, Pali, English and Persian the other.
The youthful period of his life, however, was marred by severe personal tragedies and family disputes. His father died in 1901, when he was only 11; hence he was forced to shoulder the heavy burden of the family's finances and debts. Prasad's elder brother Shambhuratna, tried to resolve the crisis but all in vain, for the tobacco business was on the decline. Another tragedy gripped him when his mother died two years after the father's death. Unfortunately, three years later, Shambhuratna also died (1906). These calamities virtually ended Prasad's formal education. Despite the family afflictions, he continued the private study of Indian languages and literature along with the major scriptures of Hinduism and Buddhism. When Prasad ji’s literary glory was at its apex, he was caught in deadly disease of tuberculosis which had no remedy then. The athletic body of Prasad started withering and 15 November at 04:00am 1937, repeating the name of Lord Shiva, he breathed his last at 04:00am, in Brahama Mahurta and entered into ‘Samadhi’ of Infinite Transcendental Bliss. The luminous sun of Hindi literature set on its zenith leaving for posterity a rich cultural values.
छोटे से जीवन की कैसे बड़ी कथाएँ आज कहूँ?
क्‍या यह अच्‍छा नहीं कि औरों की सुनता मैं मौन रहूँ?
सुनकर क्‍या तुम भला करोगे मेरी भोली आत्‍मकथा?
अभी समय भी नहीं, थकी सोई है मेरी मौन व्‍यथा।


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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